Having recently reclaimed my publishing rights from Scholastic for a bank of my classic short story plays, I’m very pleased to offer Poe’s The Tell-Tale Heart to my readers. This script was originally published in the October 2008 issue of Storyworks, but it was so well-received that it was quickly reprinted in Scope magazine, then in Scholastic News, and then finally included in my book, Read Aloud Plays: Classic Short Stories. The play’s unique text formatting helps middle grade and early high school readers comprehend the unreliable narrator’s insanity, but what really sets this play apart is the clever way we’ve made it appropriate for the classroom. After all, Poe’s story is about murder. It’s violent. It makes administrators cringe. But teachers who’ve used this script like the way it remains true to the gruesome original despite only implying the gory details. The package also includes a comprehension worksheet, the original text (also formatted to make it more accessible to kids), and a mock trial activity in which “the villainous narrator” must stand before a jury of his peers. It’s a great way to make Poe’s work accessible to your students. Be sure also to contrast it to its partner play, Penelope Ann Poe’s Amazing Cell Phone, which tells the same story but involves crimes against an annoying cell phone rather than an old man. My 5th graders love it when one play group presents the traditional version while a second group presents the cell phone version. Your students will too. Happy directing!
That last week before Christmas vacation can be a real doozy. While thoughts of sugar plums may not derail that lesson you’ve been planning on verb gerunds, knowing there are new gaming systems, cell phones, and hoverboards under the tree certainly will. There’s no doubt about it: this time of year the kids are all a twitter, prompting many a teacher to set aside serious content in favor of coloring pages featuring Rudolph, Frosty, or an occasional dreidel. But it needn’t be so. This is a great time to stage a play! In so doing your students will get some quality fluency practice, partake in some interesting literary discussions, and, depending on how far you want to take it, occupy themselves with meaningful work creating sets, props, and costumes. Here are four classroom reader’s theater scripts ideal for the next few weeks.
“Ebenezer Scrooge” is a traditional retelling of the Dickens classic. This age-appropriate version from the Dec. 1998 issue of Storyworks is available on TeachersPayTeachers only during December. It includes roles for fourteen students (though some can be doubled-up) as well as two or more non-speaking extras. I also have a version of this play in which Scrooge is cast as a woman, available in my book, Read Aloud Plays: Classic Short Stories.
Long before Scrooge there was “Gabriel Grub,” the gravedigger. From Dickens’ The Pickwick Papers, this eerie adaption is a perfect complement to “A Christmas Carol” or a wonderful stand-alone Gothic holiday play. Gabriel is the sullen sexton who scowls at holiday mirth. He goes to the churchyard on Christmas eve to dig a grave and there encounters the Goblin King and a chorus of imps. It’s Dickens’ at his best! It includes enough parts for an entire class, or double up roles and stage it with as few as twelve. (Warning: it may be too scary for younger students, so use it with grades 5 and up).
The Gift of the Magi is the endearing story of a husband and wife who pawn their most precious things in order to buy gifts for one another, only to discover the gifts are no longer needed. This O.Henry classic originally appeared in the Nov./Dec. 2001 issue of Storyworks, and is currently available for immediate download through Scholastic Teacher Express. Students will likely be familiar with the plot because it’s been so readily adapted everywhere from Sesame Street to the Simpson’s to Walt Disney. Parts for nine students in grades 4 through 8.
Maupassant the Cat and Flaubert the Mouse tell the exasperating tale of the discontented Matilda Loisel in Guy deMaupassant’s 1884 classic, “The Necklace.” Matilda is a young French woman who takes her happiness for granted and consequently trades it all for a string of false pearls. Students consistently rank this among their favorite plays to perform. Originally published in the Nov./Dec, 2002 issue of Storyworks, it includes parts for eight actors (and numerous non-speaking extras). It isn’t specifically a holiday play, but could be made so simply by referring to “The Ambassador’s Ball” as “The Ambassador’s Christmas Ball.” It’s appropriate for students in grades 4 through 8 and is currently available in Read Aloud Plays: Classic Short Stories on Scholastic Teacher Express.
I’ve just released a new reader’s theater play script. I put it together early in the summer but have waited until now to release it because, like nearly all my plays, I wanted to try it out with my own students before offering it to you. By doing so, not only do I catch (nearly) all my typos, I’m also able to figure out which lines work and which lines need a bit more pep. It amazes me how adding an innocuous word such as “always” bolsters an otherwise flat one-liner (in this case, spoken by an elephant to a hippo).
“How the Elephant Got Its Trunk” is my new play. It’s based on Rudyard Kipling’s oft-adapted “Elephant’s Child” from his 1902 work, Just So Stories. Yes, there are a lot of adaptions of this one out there, but I think you’ll find mine to be unique. First of all, Kipling’s original story is about an elephant that get’s spanked by all his relatives. I’m not intending to make any political statements, but there’s little question these days that spanking isn’t considered school-appropriate. Consequently, I’ve come up with a clever way to re-work the story without altering its mojo. It’s a Just So adaption just right for class!
My script also encourages students to experiment with dialect. I’ve found that any time I can get kids talking like a southern belle, a Bronx street urchin, or a Russian cowpoke (see my Talk Like A Russian Day post), the stories come to life in profound ways. We also have a lot more laughs. “Elephant’s Child” sets the tone with Swahili storytellers, then tosses in a baboon with a British accent, a snake with a lisp, a hip-hop jivin’ giraffe, and others. If your kids like it as much as my students do, I think you’ll be pleased.
I’ve also included two versions in one package: my original, which is geared toward 5th through 8th graders, and a simplified “Youngers Version” for 3rd through 5th. My fifth graders are using the upper version and doing fine with it. It includes leveled comprehension activities based on Common Core standards. Older students can pair the play with the original short story–available all over the Web. You can also enact it alongside another of my Kipling plays, “Rikki Tikki Tavi,” which is available through Scholastic.
Preview or purchase How the Elephant Got Its Trunk at my storefront on TeachersPayTeachers. While there, also be sure to check out my “Halloween Collection,” plays perfect for October: The Birth-mark, The Monkey’s Paw, and Cyclops.
A few weeks ago I blogged tongue-in-cheek about swiping reader’s theater scripts through nefarious means, so I thought I’d follow it up with a legitimate opportunity to grab some free reader’s theater while simultaneously honoring America’s veterans. I’ve repackaged my play “War Stories,” which originally appeared in my now out-of-print book, Read Aloud Plays: Symbols of America, and am presenting it free from now until Veterans’ Day on November 11th. It comes with a set of comprehension activities and full reproduction rights, which means the original downloader can copy a full class set for use in his or her classroom every year. It’s an engaging way to reveal to your students the real meaning of the holiday. Happy directing!
Before you crack those text books or assign that homework reading, how about blasting away all that summer slog with some kid-friendly reader’s theater? Because nearly all my titles were originally published in Scholastic classroom magazines, they’ve been designed to meet the latest standards. Here’s a baker’s dozen of timely titles to get your kids up and interacting right from the start, but there are dozens more under the links to the left. Click on any cover to download a free preview from our storefront at TpT.
Plays About Kids in Poverty
The Library Card tells the true story of a sharecropper’s child who overcomes poverty and racism on his way to becoming the internationally-acclaimed author, Richard Wright. The Newsies shares the tale of immigrant street children who survive by selling newspapers during the great depression. When the big publishers stick it to them, the kids go on strike. This one’s also based on real events and the subject of a Disney musical of the same name. Stolen Childhoods shares the work of depression-era photographer Lewis Hine’s crusade to end child labor. Based on real events, the story follows a trio of fictional kids who bide their time working in the textile mills rather than going to school. These are dramatic, heart-wrenching stories your kids will love.
Just for Fun Plays
Each of these plays has a distinct academic theme and literary focus, but the main reason for enacting them is pure get-up-and go amusement. In Cyclops, kids get to play Greek soldiers who get eaten one by one, the heroic Odysseus, and of course the one-eyed beast himself. Blood and guts for sure, but a ton of humor as well. The Tale of Peter Rabbit is also a carrot patch full of silliness. Let your older students adapt the script to their liking and then enact it for the littl’uns down the hall! Finally, Penelope Ann Poe’s Amazing Cell Phone is a modernized version of Poe’s “The Tell-Tale Heart,” only the old man is the main character’s best friend and the beating heart is a buzzing flip phone.
Plays About Racism
Regardless of one’s political persuasion, there’s no questioning that issues about racism have recently exploded. Open constructive dialogue about it by reading How Jackie Saved the World, which shows how Jackie Robinson overcame racism to change the landscape of American sports. Sitting Down for Dr. King looks at the Greensboro Lunch Counter Sit-ins from the perspective of a ten year old white boy. When the sit-ins interfere with David’s celebration, he’s faced with a tough decision. The Girl Who Got Arrested shows what it was like to be a black child in the South during the mid-20th Century. Long before Rosa Parks, teenager Claudette Colvin was dragged off a bus, beaten, and jailed for refusing to give up her seat on a city bus. Powerful stuff.
Plays About the American Revolution
Many intermediate-grade text books start the year focused on the American Revolution. You can get your kids better engaged by jump-starting your unit with some reader’s theater. Two Plays from the American Revolution is a two-for-one deal that includes “Eagles Over the Battlefield,” a nifty skit in which Jefferson and Franklin argue about the adoption of the eagle, and “A Bell for the Statehouse” provides the real history behind that infamous crack in the Liberty Bell. Betsy Ross: Fact or Fiction lets your kiddos sleuth out the facts about the creation of the Stars & Stripes. Lastly, Secret Soldier shares the compelling real story of America’s first female soldier. No one knew it at the time because she fought the war disguised as a man. After doing these plays, kids will be chomping at the bit to read those textbook stories about Tories and minutemen.
Plenty More Where Those Came From
That’s right, I have a ton of other professionally-published read aloud plays for the elementary and middle school classroom. Take some time to explore my collection here at ReadAloudPlays.com or at my storefront on TeachersPayTeachers, and be sure to use RT all year long. Thanks, and Happy Directing!
This week I just want to say THANK YOU to all you FANTASTIC teachers who have used Read Aloud Plays in class. I hope they’ve brought you and your students a ton of enjoyment and value. Thank you also for all your positive comments. With 38 fifth graders demanding my attention every day, I simply don’t have enough time to respond to many of them, but here are a few recent ones I think are especially fruitful.
Your plays are wonderful and they make the original texts more approachable to my students! Thank you! ~ Laura M. (regarding The Monkey’s Paw gothic masterpiece)
I think we can all relate to the challenges of reading a piece of Victorian literature. Why subject yourself to the yawns of middle school readers when you can first wake them up with a read aloud play?
I added songs in between each of the scenes and used this for our Black History Month performance! The children enjoyed it, and learned a lot in the process. Thank you! ~ Linsey P. (Jackie Robinson black history play)
Two of my plays—“We Shall Overcome” and “Gonna Let in Shine”—have the songs built in to the play, but several others are easily adapted. Black History Month is just around the corner, so take Lindsey’s advice and consider staging a Civil Rights musical.
I like how it’s short and to the point. After reading the novel, the 6th grade wants to make a movie and we’re using that script. Thanks! ~ Barbara Ann M. (Ebenezer Scrooge: A Christmas Carol play)
Thank you! Because the majority of my plays were first published in classroom magazines including Scope and Storyworks, they’re specifically designed to be short and to the point. My goal is to capture the essence of the original story while limiting the play to about fifteen minutes in length. Still, I encourage teachers and students to edit and adapt. A few years ago my 5th graders also used this script to make a movie, but they added several short scenes, modernized the setting, and changed several lines to suit what they wanted to portray. I consider that 16 minute movie (which can be viewed here, if you’re interested) as one of the highlights of my career.
Lewis never disappoints. This will be terrific as part of my Spooktober unit for theater class. ~ Lu J. (Hawthorne’s The Birthmark Gothic Reader’s Theater)
What a wonderful compliment! Thank you. And I love the idea of a Spooktober theater event. I’m going to try that next year!
Great resource and student engaging. You can practice RT daily to work on fluency and comprehension. Thank you! ~ Heather W. (Lewis & Clark and Bird Girl: Sacagawea play )
Fluency practice is really the academic justification for reader’s theater, isn’t it? But I think the foundation is that most kids love it. Simply put, Read Aloud Plays make school fun. Admittedly, my plays are geared to intermediate and lower middle school, but when you can find good material, even jaded upper middle school and high school kids enjoy RT.
Excellent play. This tied in perfectly with my Civil Rights unit. ~ Dayan S. (Montgomery Bus Boycott MLK “Twice Toward Justice” Play)
Thank you. I’m particularly proud of my civil rights plays. My editors at Storyworks recently asked me to work on a new one for this spring. To create a consistent “feel,” I re-read some of the old ones. I think the “Twice Toward Justice” play is indeed powerful, but I also rediscovered what I think is a real gem in the play entitled “MLK’s Freedom March.” I highly recommend it.
Next month, I’ll be releasing on TpT my very first Civil Rights play. “I Have a Dream: the Childhood of Martin Luther King, Jr” first appeared in Storyworks sixteen years ago. How fortunate I am that my editors liked it so much. They’ve been feeding me much-loved Black History assignments ever since.
Our high school graciously offered to perform this for my middle school class. To prepare in a jiffy, we did this reader’s theater and the kids loved it – especially the ghost noises. Turns out the HS play was very ‘stylized’ and there is NO WAY my kids would have known what was happening if they hadn’t had this resource as a basis to get the underlying plot. This was absolutely perfect. Many thanks. ~ Michelle C. (Ebenezer Scrooge: A Christmas Carol play)
I love this. Haven’t we all at some point shared a story, taken our students to a performance, or watched a movie that was beyond the developmental level of our students? How nice it is to have a Read Aloud Play to introduce kids to the story or historical event before hitting them with the original text or text book account.
Thanks again, and cheers to a new year of Read Aloud Plays! I have a lot of great items planned for 2016, so stay with me, won’t you?
A couple of my fifth grade girls showed up at school today wearing Santa hats. “Santa hats?” I said. “We haven’t even had Thanksgiving yet!” They giggled and told me they didn’t care, to which the Scrooge in me growled , “No Christmas stuff until after Black Friday!” Of course, three hours later they were still wearing them.
It reminded me that Christmas really is just around the corner, and a great way to celebrate it is with a trio of holiday plays. You can pick up a class set of Ebenezer Scrooge for just three bucks at my TeachersPayTeachers store. This play originally appeared in the Nov/Dec 1998 issue of Storyworks and has been republished in several other Scholastic venues. It’s a succinct version developmentally-suited to upper elementary kids. Another holiday classic is O. Henry’s Gift of the Magi. It’s appeared in Storyworks, Scope, and Scholastic News, and today is available in my book, Read Aloud Plays: Classic Short Stories. You can often snag a PDF for just a few bucks at Teacher Express and download it immediately.
Before devising Scrooge, Charles Dickens was experimenting with the same theme in Gabriel Grub. Grub is a foul-tempered gravedigger who on Christmas Eve gets haunted by a troop of maniacal goblins. The goblins put him on trial and find him guilty of being without the Christmas spirit. It’s wildly funny and eerily spooky at the same time. Suitable for 5th through 8th graders, it’s a great play for that last chaotic day before vacation.
Especially if a few of those goblins are wearing Santa hats.
After announcing the approach of my first grandchild via Facebook, I received a message from a former student thanking me for the year she spent in my class a decade ago. “Samantha” told me how the only happy moments of her childhood were in my classroom. Although I’m proud that I was able to provide her with a safe, nurturing environment, I’m saddened I hadn’t done more to make her life less chaotic. Whatever the case, it has prompted me to ponder what makes a classroom “happy.” Certainly there’s the nurturing that all good teachers provide their kids, loving them despite their flaws, considering their interests when writing lesson plans, being accessible, consistent, and safely predictable. But in my classroom I’ve also concluded that Read Aloud Plays has something to do with it. I know this because my students always seem to be happiest when we’re working on a play, and former students always seem to mention a play when reflecting on their time with me.
My current students recently performed my adaption of Nathanial Hawthorne’s “The Birthmark.” It appears in the Jan. 14th issue of Scholastic’s Scope magazine. Like nearly all the plays I craft for Scholastic, my students performed it in advance of publication. Judging by the always-awesome Scope cover, you wouldn’t think it a “happy” play at all, but it had the kids giggling and gaffawing like mad. It’s simultaneously romantic and ghoulish, giving them the chance to express a wide variety of emotions. Why, how often does your average fifth grade boy get to get on one knee and profess his love to a classmate? How often does your second-language learner get to stuff a pillow in his shirt and pretend to be a hunchback Boris Karloff?
Textbooks, standardized tests, and leveled readers may perhaps be worthwhile academic tools, but they’re not in themselves able to contribute toward that happy place Samantha remembers. If you haven’t tried using Read Aloud Plays, now is a great time to start. Although The Birthmark won’t be available on my website until next year, I have dozens of others–all written with the student in mind. Black History Month titles such as Box Brown’s Freedom Crate, Sitting Down for Dr. King, and How Jackie Changed the World are consistently ranked as favorites with the kids. Give ‘em a try and help create that happy place students will write to you about.
If you’ve never heard one of your students attempt a southern accent you must give Box Brown’s Freedom Crate a whirl this February during Black History Month. Ever since I wrote it for Scholastic’s Storyworks magazine back 1999, Box Brown has always been a favorite among my students. Consequently my class learns and performs it almost every year. Even if you’re teaching in the Southern U.S.—where the dialect might not be so unique—there remain many compelling reasons to teach with this play.
Box Brown’s Freedom Crate is based on The Autobiography of Henry “Box” Brown. Henry was the slave who mailed himself to the North inside a wooden crate and lived—just barely—to tell the world about it. Why do kids like this play so much? The Deep South dialect of slaves and slave bosses is certainly one reason. So too is the large cardboard box we use as the main prop. It’s painted to look like an old-fashioned shipping crate and is just big enough for a moderately-sized fifth grader to climb inside. The student playing Henry disappears within it during Scene 4 and then discreetly exits while the curtains are closed. From there he appears to get battered as the box is tossed from wagon to train to steamer until it finally gets cracked open at the Anti-Slavery Society in Philadelphia. Henry then rises from his coffin only to quickly swoon away from exhaustion and dehydration. This is of course a dramatic moment in Henry’s true story, and one kids don’t soon forget.
There are sound academic reasons to enact plays such as Box Brown’s Freedom Crate. For example, because kids are willing to read and reread their lines over and over again, Read Aloud Plays build reading fluency. The brain science behind this repetition suggests it actually forms the neural pathways that make reading possible. Read Aloud Plays are easily leveled and they provide the exposure to drama the new Common Core Standards demand. They also allow students to experience history “first hand,” which helps them to relate to people like Henry, to understand some of the heartache and suffering Henry might have felt. …Plus there’s still that whole southern accent thing.
Visit my storefront at TeachersPayTeachers to download a free preview of Box Brown or one of my other Black History plays. I’ve used every one in my own classroom, and because most have been previously published in Scholastic classroom magazines, you can rest-assured they’re of the highest quality.
Box Brown’s Freedom Crate is suitable for 4th-8th graders and includes parts for from ten to twenty students depending on your needs. Hear Box Brown being performed by students by clicking on the “podcasts” tab, and to get the most out of your reader’s theater, be sure to download my free article entitled “Why Use Drama?” Happy directing!
How engaging are read aloud plays? Consider this bit of anecdotal evidence: In December my students were working on my adaption of Guy DeMaupassant’s The Necklace for presentation on stage, as well as a movie version of A Christmas Carol (which you can view if you scroll down a couple of posts). Consequently the kids went home for vacation with both these scripts tucked away in their binders. Upon returning, one of my students shared how on Christmas her family decided to use the scripts and act out the plays themselves. Imagine the scene: Dad croaking out “Bah Humbug,” middle school brother haunting him in the night, and Grandma chiming in as The Ghost of Christmas Yet to Come. Note, too, that my student at the core of all this receives SPED services. These plays have gripped her (and her family) in a way that novels and text books haven’t. In my classroom, students regularly read chapter books in our “Book Clubs” and get plenty of instruction with short works, poetry, and non-fiction using Storyworks classroom magazine, but over twenty years of teaching, it’s consistently been the read aloud plays that most engage them. And let’s conclude with this, when was the last time your students took the text book home and read it around the Christmas tree? Visit my TeachersPayTeachers store for access to dozens of engaging play scripts. Each has been classroom-tested, most were originally published by Scholastic–which means they meet the highest standards–and all come with full production rights, meaning your $3 gets you a class set you can use year-after-year. Happy directing!